Tag Archives: museums

Local History in our Cities’ Museums

In the U.S., our cities have certain stories of their past to tell:

  1. Life before the European–the story, told mostly through archaeology and treaties, of the American Indian in a particular region
  2. Settlement–a story that often includes conflict, with the previous inhabitants, the landscape or both; sometimes this is a story of innovations, sometimes a story conquest and often it includes stories of tremendous will and perseverance; this is also told through archaeology and occasionally federal and legal documents–under more fortunate circumstances, it includes first person accounts
  3. Growth–a story that explains how a settlement of a few pioneers became a town and then a city; this is usually a story that builds through multiple phases: first as infrastructure improves and again as local industry develops; occasionally these stories include periods of economic and population regression–sometimes it is how they culminate
  4. Local industry–this story features the prominent (usually) men about town that created jobs and economic growth through commercial means and typically effected politics and society, such as Heinz in Pittsburgh, the race track in Saratoga or the ship yards in Baltimore
  5. Local events/catastrophes/individuals–these are uniques stories and major events unique to the region, from cataclysmic natural disasters to military battles to political show-downs or epic instances of courage; they provide much of the local color and show up in any phase along the way
  6. Prejudice and civil rights–these are stories that recognize the local region’s particular participation in our country’s greater history of having failed to live up to our own ideals, tempered with the stories of courage and risk in which those shortcomings were overcome–most of these stories appear in the past tense, often around slavery, Jim Crow or urban renewal, and with the sense that we have overcome those periods and issues
  7. Sports–these stories can also encompass a wide range of periods and are part of the local lore, trial and triumph; these often include a discussion of prejudice at some point, usually looking at the Negro Leagues or desegregation in sports and the impact on society

These cases are often the focus and model for local museums.  As with historical textbook authors and documentary directors, curators are often knowledgeable about either one particular facet of the museum’s exhibits or are specifically gifted in their field and happen to be at a history museum (as opposed to art, for example).  Thus, it is frequently the case that museums, as with textbooks and documentaries, do not always deal with the method behind the displayed knowledge, nor thus the disagreement that often exists regarding historical interpretations.  So, in the same sense there is often the perception of the provided information as being HISTORICAL FACT as opposed to an interpretation of evidence–often the result of hard research, I am sure–but not reflective of historical method, which is itself an end in one’s historical education.

So, the question arises: how do we use this as curious human beings and as educators?

For the curious:

Whenever we visit these museums, we have two options in our approach: we can simply take in and enjoy–a passive edutainment approach–or we can consider what is missing, what evidence is provided for the assertions, what implications arise, what other interpretations exist or other questions–an active thinking approach.  This is all really dependent on one’s own interests.  While visiting the Heinz History Center in Pittsburgh I was really intrigued by a small exhibit that acknowledged the various religious women orders that had been active in Pittsburgh despite a prevalent suspicion for foreign-born Catholics.  The exhibit explained that the nuns earned respect by providing health services for orphans and poor factory workers in the growing steel industry.  An example of each habit was provided and a brief blurb about the order, but little other information or evidence about their accomplishments and relationships in the city.  I was particularly interested because few of the orders had an education–mission which is the stereotypical role, today.

In the sense that the exhibit brought the subject to my awareness it was positive, but that I left with more questions than answers is an outcome for which the merits must be judged by each individual.

For the educator:

These same challenges can be turned into opportunities by educators.  In fact, tapping into the local industry or sports lore may be a really useful way to engage students in challenging concepts surrounding both historical method and content.  Relationships can be fostered between local institutions encouraging students to engage and research the content in the exhibits and learn more about how historians know what they claim to know.  There are, thus, many opportunities not only to engage students with the physical objects of the past, but to engage their attention to the construction of the content.  Local histories are often exhibited in a predominantly positive way, with the darker points of history usually (but not always) relegated to the more distant past, and this also creates opportunities to prompt thought about other perspectives and more balanced understandings of human past and human nature.  (Incidentally, I think it is often the threat of the darker side of history that makes the accompanying sports history that much more appealing and triumphant!  That is unless, of course, there is something inherently unavoidable about the loss, such as the Baltimore Colts packing up and leaving town, or the utter racism that left the Washington Redskins as the last team to desegregate.)

In short, there is opportunity in our local field trip availability that can trigger really useful active thinking–historical thinking, as Sam Wineburg would call it–that we can tap into as educators at all levels.

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Filed under Experiences, Experiencing History - Project Based Learning, Historian's Journal

A metaphor to explain what historians do

An Introduction for history classes

Each week when I teach Western Civilization 101 or 102, I pair a question with the material for that week’s unit.  This question is designed to introduce students to the field of history using that week’s content as a way to teach how historians do their thing, as a way to drive the methodology point home.  (I do this both to introduce students to historical method and to introduce students to the fallibility and controversy of the field–something lost in most history textbooks, museums and documentaries, but useful for citizens in the U.S. where there is an information overload.)  For example, in the week we study the Greeks, I ask, “What are a historian’s sources?”  Thus, I can introduce the literate society of the Greeks that recorded earlier oral tradition and really introduced history, drama, philosophy and political discourse to Western Civilization.  In so doing, it is also possible to introduce the methods historians apply to these different primary sources types.

I begin with this concept on day 1, where I introduce the course with the question, “What is history?”  The purpose being to introduce methodology to separate history from other studies of the past.  We read a brief excerpt from Sam Wineburg (Historical Thinking) about the importance of studying history, in an ever-shrinking world, where one is taught the skills to recognize that the context of a document may be foreign and require research and careful consideration ahead of assumptions.  (Note:  Whether Wineburg is read in class actually depends on the class format–it is hard to fit him into a 50 minute class!)  We also read a brief excerpt from Martha Howell and Walter Prevenier’s From Reliable Sources in which they explain that history is something people write about the past–it is constructed and requires reliable sources to be reliable, itself.  This is the point where I generally introduce a metaphor to help students understand what a historian does and what those sources are.

The Detective

Today, on TV you can watch fictional detectives at work every night: NCIS, CSI, Law & Order, Castle, Criminal Minds, Cold Case, Bones, etc.  The popularity of these shows has contributed to reality TV shows and regular shows dedicated to following actual criminal cases.  So, people, including our students, are acquainted with the methods (more or less) by which detectives collect evidence to build a case against criminals.  Using this fairly common “knowledge”, I set up some comparisons to explain how historians do their research, such as seeking clues from witnesses by reading primary sources.

DETECTIVE WORK

  • Investigation
  • Crimes
  • Interview witnesses
  • Training and experiences
  • Evidence
    • Clues
    • Observation

HISTORY RESEARCH

  • Research
  • Questions
  • Read primary sources
  • Secondary sources
  • Evidence
    • Realia
    • Names, geography
    • Events

The Prosecutor

Just as detectives investigate in order to build a case for the prosecution (or Matlock!), so, too, do historians investigate in order to build a case for a paper or book.  So, where the historian’s research is to detective work, the historian’s written argument is to the prosecutor’s court case.  The publication, the written case, is the presentation of the evidence that has been gathered to convince a jury of one’s peers about what actually happened, and why one’s sources are most reliable and should be considered in a certain light.  It is remarkably similar to the process the prosecutor follows–even needing to consider other points of view and address critics, just as the prosecutor must do with the defendant’s case.

PROSECUTOR’S CASE

  • Opening statement
  • Interviewing witnesses on the stand
  • Presentation of physical evidence in exhibits
  • Closing statements
  • Oral arguments
  • Rebutting the defense’s case

HISTORY ARGUMENT

  • Introduction
  • Citing primary sources in your text
  • Citing archaeological evidence
  • Conclusion
  • Written arguments
  • Taking into account critics and opposing view points

The Workshop

For each week we spend a class (or in accelerated courses and once-a-week courses, a portion of class) working specifically on the content that helps demonstrate the point that the question is teaching.  This typically means looking at specific primary or secondary sources.  For example, in Week 3 of Western Civilization 101, the question, “Is research the story of the victors/elite?” is asked.  This week’s content is Egypt and to a lesser extent the Hittites.  When considering this question, we look at the monumental evidence left behind by the Egyptians–covering a general history of the culture.  The homework includes reading excerpts from The Book of the Dead, so we discuss the Egyptian afterlife.  The PowerPoint ends with a look at the archaeology of the tombs and worker cities built around the tombs.  The rest of the week, the content continues to circle back to this question and demonstrates how the losers and lower strata of society can be found and accessed by historians (and archaeologists, too), while also showing that it takes a slightly different approach in order to get there.  This helps to provide some context for the students so they can try their hand at some of the detective work.

The Practicum

The practicum is either done on Wednesday, or in the middle of class (again, depending on format).  This portion of class is dedicated to working with sources to investigate a particular aspect of the culture.  It is a specific attempt to get students to try their hand at the detective work.  We will often draw up outlines, initially as a class and later in small groups, to begin practicing building and presenting a case.

The Discussion

The week ends with a discussion that, it is hoped, will help students retain and be more capable with the skills and content that historians use and learn.  It is the opportunity for students to practice being the prosecutor, often by presenting cases that were built in small groups during the practicum and other times discussing and debating controversies.

* * *

An additional wrinkle that I will be testing this semester is a homework assignment to bring in three documents.  The point is to try this detective work with a familiar context and to get to know each other a little better.  Examples of appropriate material includes a birthday card from a relative, a certificate of achievement, an e-mail or a to-do list.  (If you try this, be sure to also be very clear about what is not appropriate for the assignment.)  The metaphor, thus, introduces concepts of historical method in a recognizable way that is reinforced weekly.

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Filed under Experiencing History - Project Based Learning